Here's a picture of my new puppy. Isn't she cute? Her name is Mackinac, as in Mackinac Bridge or Mackinac Island or Mackinac City, as in Michigan, as in a transitional point between upper and lower peninsulas.
She's a Staffordshire Terrier, more commonly known as a pit bull. My wife and I picked her up through a great local organization, Minnesota Pit Bull Rescue (and, of course, I'm going to go ahead and say you should check them out). It's amazing the reaction I've been getting whenever I tell someone what type of dog she is: a range of barely concealed shock to flat-out disbelief that we'd take such an animal into our home. And maybe the reaction is somewhat justified: pit bulls do fairly often appear at the top of Most Dangerous Breeds lists, and there are a number of horror stories connected to the breed (both in terms of human attacks as well as their popularity in dog-fighting circles).
But the truth is that these dogs are sweet and affectionate, like any dog really, but their natural strength draws bad people to them who train them to be violent. And part of me likes this about Mackinac: I like it that I'm going to have a friendly pit bull, an ambassador for the breed that can show others that we shouldn't judge the animal, but the owner.
And so Mackinac, at eight weeks old, is already defying the genre of her breed.
And breaking genre is a good thing: its one of the best ways (in literature, but all art really) to open the eyes of the audience to a different mindset. Start with what the audience knows (or think they know) and then show them why the subject matter can't be simplified. Show them a dog they think should terrify them, but that they can't help but love. Make it complex, different, amazing.
David LeGault is an MFA Candidate at the University of the Minnesota, where he works as the nonfiction editor for dislocate. He's working on an essay collection that explores the midwest through a variety of artistic forms including bookmaking, music recording, bathroom wall graffiti and other forms of vandalism.
784 pp., Ballatine, $27
Reviewed by Sara Joy Culver
1.
The important thing to understand before you read this review is that I am not a snob.
This excerpt from the diary of Eric Murphy, dated 24 June 2010, is currently on loan to dislocate.org from the British National Museum for Literature.
24 June 2010
As I find myself in the middle of an extended stay on a peculiar, far-flung Island which has no access to Taco Bell and whose barbaric entertainment systems are incompatible with my 30 Rock digital versatile discks, I need something to occupy me throughout the evening and night.
Attention writers and readers: We are now accepting poetry, fiction, and nonfiction submissions for our Issue 7 reading period, July 15 to November 15, 2010. This year we have transitioned to an online-only submission policy: submit your work via Submishmash. This will streamline our reading process and expedite responses to our prospective contributors.
[read]7.14.10Didn't get a chance to attend dislocate's annual shindig, celebrating the new issue release and the launch of the website whose site tracker statistics you are at this very moment improving? We made a slideshow for you so that you would make sure to clear your calendar and book plane tickets to Minneapolis for next year.
[read]5.16.10